filmspiration: (by camila mangueira)
(via kofferfraulein)
No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit. — Ansel Adams (via romeoforgotjuliet)
(via mariposima)
[video]
I care more about experience than money. I was at a party once where someone asked me about my work and she said I must make a lot of cash. When I said I give my photos away to the public, she looked at me like I was a fool. She derisively asked, “Why would anybody do that?” and I replied “What did you do last Tuesday?” She said that she came home from work late and watched Law & Order on her DVR. I said, “Last Tuesday I had a four-hour dinner with Augusten Burroughs, and then I photographed him. I didn’t make any money off of it, but it was a hell of a Tuesday night.” Then she smiled and got what I was about. — Photographer’s Photos Found in Over 5,000 Wikipedia Articles (via photographsonthebrain)
(via timelightbox)
How To Create A Pseudo HDR Photograph | Jamie Furlong Photography
[video]
9 things you should know about using prime lenses
Window light photography: master still lifes on a budget
How to Photograph the Milky Way
Why I shoot in Av or Aperture Priority mode | Juan A. Pons / Wildlife & Nature Photography
Another aspect in that photography is very egalitarian. Everyone has a camera and so everyone has to come to terms on some level with what role photos play in their lives. Few people have fine art paintings in their homes but everyone has photos. So there are 7 billion ways to approach it, and no one clear path, and so photography tends to attract thinkers and theoreticians who want to sort it out. That’s part of its problem. Sometimes it can become buried in hyper-conceptual rhetoric. And it is pretty widely open to interpretation. I’ve often wondered about photos in relation to music. You can play a song for someone and within ten or fifteen seconds they will generally know if they like it or not. There’s a societal construct from early childhood which trains one in musical appreciation and taste, even if it isn’t always conscious. But show that same person a photo and they will probably have a much harder time deciding. Is it good? Bad? Interesting? There’s less of a societal baseline for determination, so I think that invites in all the thinkers and theoreticians. — Blake Andrews (via photographsonthebrain)
(via photographsonthebrain)
The important thing is not the camera but the eye. —
Alfred Eisenstaedt
A camera is both a tool and a collaborator, but without our direction, it cannot function. Eisenstaedt reminds us that our films and cameras can only take photos of what we see through our creative vision. It also emphasizes the importance of training the eye to “see” a picture before clicking the shutter.
Lomography picks 5 photography quotes to shoot by.
(via timelightbox)
Photography is a very strange place to be right now, either inside looking out (the producer) or outside looking in (the public)” – then takes us on a humorous journey though the various continents that currently make up “the entire World of Photography”: Commercia, Documentaria, Amateuria, Artistica and Artcontemporanea. As Ewing rightly points out, these continents view each other across vast oceans of mutual disdain. Many commercial photographers, for instance, think documentary photographers are hopelessly old-fashioned, while the latter view the former as corporate whores in thrall to the filthy lucre of advertising. Both watch the continent of Amateuria, “a continent so vast it has never been properly mapped, never mind explored”, with a mixture of pity and contempt that cannot quite conceal their nervousness. — Saatchi captures the confusion of contemporary photography | Art and design | guardian.co.uk (via photographsonthebrain)
(via photographsonthebrain)
I don’t really have any faith in anybody enjoying photographs, particularly, really, in a large sense, in a large enough sense to matter. — Gary Winogrand. Taken slightly out of context. (via hlewisallways)
Art is never finished, only abandoned. — Leonardo da Vinci (via essentz)
(Source: mercedesdesigns, via samlerbrown)